the director is really a sadistic bastard who plays with the viewer in a vortex of emotions, is bold in many choices, and only with the opening scene makes you feel good to have invested the dreams of the ticket. after that sequence makes you want to get up and ask to see him urgently now why can not you do without thinking about that moment when the portman stares into his eyes. I think about her praise of these rivers have been ... well deserves them all, or even more. wonderful interpretation, there was a moment in which I have not thought about what was good, really exciting. the script is well written there are nice and tight dialogue genial good 2 minutes of dialogue only to reverse field and in the foreground that you do not account for anything in spite of these iquadrature academic ... of course the two actors help a lot. the other good actors, the mother puts the chills in a few moments, the sexually transmitted Kunis with nothing and then resume the face of a good girl in an instant and it absolutely vincent and good in the role.
short, I admit I liked it, but just so much! (Despite what I thought) is certainly tough, but rather strong ... The No one under 14 should perhaps also be 18, not so much for the stage by itself (one or two are a bit 'raw) but the context in which they are presented. I relax when I'm nervous that I read the biographies of serial killers, I had opportunities in 3-4 Magone and shortness of breath, and absolutely not recommended for the faint of heart why do not you just enjoy it if you are disgusted / terrified.
certainly remember for a long time 'the ballet of Portman as a black swan, truly divine and exciting ... and he says that one does not recognize a tango dance by a group ...
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